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Cable & Wireless Communications
New: Company, formal name, and logo
with visual system
Launched: March 26, 2010
Story in brief:
The March 26 "demerger" of Cable & Wireless into two
surviving companies required creation of two new identities.
They agreed to share the "Cable & Wireless" (one wonders who
licenses it to whom). The company focusing on the
enterprise market, serving "mission
critical needs of large users of telecoms" has chosen to call itself "Worldwide," while the
full-service regional telecom provider in "the
Caribbean, Panama, Macau and Monaco & Islands" opted for
"Communications."
While the new companies will share the C&W brand, neither will
carry forward the distinctive 'blue globe' logo familiar from the
mid-90s, when the Cable & Wireless "alliance of more than fifty"
regional partners was the world's fifth largest telecom group.
The new "Worldwide" company has chosen a straight-type wordmark
(designer TBD), while the seemingly shrunken regional telecoms group
commissioned a new globe symbol from Elmwood, a UK-based brand
consultancy.
Per a March 26 news release, "The new logo retains the heritage
of the Cable & Wireless ‘globe’, but adds a three-dimensional aspect
to its shape. The globe now comprises a series of lines,
representing the company’s telecom cables. The lines stretch around
the globe to form the shape of an ampersand." CEO Tony Rice
said "Our new brand identity captures the value of our heritage,
while moving us to a more modern brand."
Credits:
C.E.O. - Tony Rice
Identity design -
Elmwood
First Impressions:
Strategy: The decision to share the
brand is understandable, lazy, inherently unstable and
potentially catastrophic. Neither company now controls its
own brand; each is hostage to the other's behavior. This will
end, perhaps with a name change, more likely with a
disappearance by acquisition.
Design: The 1992 globe was a
hard-edged classic (in one color, yet), another proof that a
good designer can always reinvent a globe. When it was launched,
CEO Lord Young said "It has impact because it is simple yet
strong." He was right. For me, the new symbol is more an
illustration than a mark... friendlier, perhaps, but lacking in
authority. I suspect, too, that the company's
communicators will soon find their new visual system (see
www.cwc.com),
especially the palette, to be unsustainably confining.
Corporate Brand Matrix ratings:
80%
structural, 20% strategic, 0% functional (est.)
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...and its former sibling

Both replace "Lord Young's thumbprint" ...

... launched 20 February 1992, designed (with a nod to Saul Bass) by Tor Petterson
& Partners

CEO Tony Rice, in the palette

The new visual system uses the symbol's linear language and
pink/purple/aqua palette
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