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AT&T Inc.
Formerly SBC
Communications (born Southwestern Bell Co.)
New: Identity, history, name and logo
Launched:
November 21, 2005
Story in brief:
The Baby Bell finally becomes the parent, by acquiring the
remnants of AT&T and adopting its identity (significantly
tweaked).
Starting life in 1984 as Southwestern Bell, the smallest of the
seven 'baby Bells' from the breakup of AT&T mandated by Judge
Greene, SBC outgrew its siblings in part by acquiring two of them,
Pacific Telesis and Ameritech. By then acquiring AT&T
Corporation, it would surpass Verizon, the biggest other Bell
descendant, to become America's largest telecom company.
Ed Whitacre has reason to be proud of this achievement. And
it was time to rebrand anyway, to become a more global player;
Whitacre had dropped the provincial "Southwestern" for "SBC" in 1995
but never really escaped it, and with very few exceptions initials
are a weak option. "AT&T" is one of those exceptions.
I'll bet Whitacre, once an AT&T employee, always wanted to be AT&T. When the acquisition
was announced last January, he said "The AT&T brand is terrific, and
I'm certain it will live on in a way that makes them proud and us
proud." Brand-bloggers mostly agreed it was the better name choice,
but debated whether the 1984 Bass Yager globe (or its 1999 shadow)
should also survive, or whether it would be more honest and
effective to design a truly new "AT&T." Whitacre, apparently, made
the call. I imagine he might have said "The globe is the brand, and
it says what we want to say, but let's have a change event and while
we're at it, let's make it friendlier. I don't want to hear 'Death
Star' any more."
Credits:
C.E.O. - Edward E. Whitacre, Jr.
Identity counsel and design -
Interbrand
First Impressions:
Strategy: High Pass, but not Distinction. The name
decision, I think, was a no-brainer. Even after split-outs like
Lucent and NCR, spin-offs like AT&T Wireless and other diminutions,
the AT&T name retained greater luster than "SBC." And SBC has
performed well enough to have earned that luster, so that calling
itself AT&T is not unduly deceptive. (But see Fred Burt comment
below.)
But I would have preferred a
more aggressive design decision... courageously, and more honestly,
a new AT&T.
Execution: When we see the new advertising (and animation), I
suspect this mark will start to look better; the first impression,
though, is not strong. It's certainly not a death star; but is it a
sliced apple? a candy ball? A bit too friendly, perhaps. I, for one,
want my telecom/internet provider to be strong, reliable and
technically sharp.
"Transparency" is a feature of the new globe added "to represent
clarity and vision." A nice thought but perhaps more verbal than
visual. Visually, in too many applications the mottled and shadowed
see-through patterns are more likely to effect muddiness and
confusion.
If you look at the three globes side by side (I chose the 12-line
version of the 1984 globe), I suggest the clarity, vision and
graphic strength of the original are still hard to beat. In
the new mark, the widening of the white lines no longer effects a
highlight; they are arbitrary fattenings that can be understood only
as allusions to a remembered mark.
Other Comments:
Actually, the name decision was by no means a no-brainer.
Consider that we would be bolting a $50 billion SBC residential
franchise onto an increasingly business-focused AT&T brand. Not
easy, and a significant softening in AT&T personality would be
required. The idea of transparency, too, would help renew a
corporate promise of dependability. Fred Burt, project director at Interbrand
In the double page launch ad, the 3.25" globe had a barely
perceivable suggestion of transparency that would be invisible to
the typical reader. I trust someone is working on adjusting the
artwork. Achieving the transparent quality at smaller sizes will
prove to be even more challenging. The original design required
involvement of the viewer to complete the globe; the new globe
simply waits for you to pick it up. Perhaps Picasso said it best:
"To know what to leave out is art." Jerry Kuyper, one of
the team members at Bass Yager who designed the 1984 logo
Elaborate rationales (transparency etc. ) can never justify a poorly
executed logo. Typographically, at&t is busier than AT&T (ampersand
nicely tucked in). The original design symbolized a globe, the new
one is almost like a picture of a globe with a bad highlight and
pattern. Rand, Bass -- they knew the difference between a symbol and
a picture. I really don't understand where the basic principles of
logo design have gone.
Errol Saldanha
The similarities to
Red Dot (a
German design advocacy) are uncanny. I'm not implying plagiarism,
and as a designer I understand the challenges that faced the team
working on the at&t redesign. [But] are we running out of
shapes as well as names? Aaron Carambula
The AT&T of Death Star I is not the AT&T of today.
Contemporizing a symbol of past glory smacks of classic merger
compromise. What is the new AT&T about? I'm left to wonder.
William Agush
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formerly...


CEO Whitacre

click to enlarge


1984
1999
2005
Death Star I Death Star II
?
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